The Wolverine

Synopsis: Badass X-man. Very bad X-men movie.

Review: Aaaahhh the X-Men franchise, making comic book nerds wet their pants with excitement since the genesis of the series back at the beginning of this millennium. The Wolverine is a continuation of the story arc focusing specifically on Logan (Hugh Jackman), a metal claw touting, ill-tempered badass who likes to mess shit up. Now, for those not familiar with the X-Men franchise it involves a whole bunch of superheroes that have special powers centred around a series of spontaneous genetic mutations. In this case Logan’s power is his ability to rapidly heal, which, coupled with the fact that he has Adamantium (a fictitious indestructible metal) fused to his skeleton as well as some pretty gnarly retractable claws, would make you think that this movie was going to kick ass right? Wrong.

Regrettably The Wolverine is by far the worst instalment in the series, delivering more disappointment than someone working at an STD clinic. The plot follows Logan as he is summoned to Japan to meet an old acquaintance, which sees him become quickly embroiled in a series of incidents involving the Yakuza, businessmen and political officials. The movie tries to get you up to speed with Logan’s tormented past however this feels so incomplete at times and leaves the plot with more holes in it than most of Wolverine’s victims. Jackman is by far the redeeming feature of this flick, which is fortunate because as the only A-list actor his performance does really allow you to stay a bit connected to the story as it meanders aimlessly onward. I must admit I thoroughly enjoyed the action scenes, many of which were uniquely shot (courtesy of director James Mangold), providing the full of sense of havoc that is a necessity when extras are being needlessly slaughtered at the hands of a man more disgruntled than a senior who just found out their concession card is expired.

Apart from the fact that Jackman looks absolutely, ridiculously awesome (yes, two adjectives required, yes, man-crush, I’m cool with it) there’s really not much else to say about this flick. I’ll begrudgingly admit that it’s a must see for all the die hard fans out there but unless you’ve got 126 minutes to kill you’re better off checking out some of the other stuff that’s on at the cinemas at the moment. Unfortunately the whole thing just seems like a random agglomeration of awful villains and terrible good guys barely held together by Jackman's on screen presence (and his guns). As a huge X-Men fan I must say that this movie seems like a lost opportunity to make something really gritty and compelling (much like Chris Nolan’s Batman series), but I guess you can’t have your Adamantium claws and cut with them too.

Score: 2/5

World War Z

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Synopsis: The ‘Z’ stands for ‘ZOMFG this is cool!’

Review: So long story short, this is a zombie movie. Wrap it up any way you like the plot theme follows the same old recipe: infection occurs, spreads through the world, military take control, cure is eventually found, world takes a while to return to normal.  Much like the current Labour leadership, we’ve seen it before, it’s the same, just with a different flavour of shit seasoning sprinkled on top. The flip-side of that coin is – THIS IS A FREAKING ZOMBIE FLICK, and no matter which way you look at it zombie flicks are awesome! World War Z follows the rapid spread of a zombie plague through the eyes of protagonist Gerry Lane (Brad Pitt), an ex-UN employee with a specialist set of skills that makes him the man to figure out how to save the world. Gerry and his family are quickly embroiled in the rapid spread of the disease as it takes over Philadelphia and eventually the rest of the US. Gerry is called on by the US Military to assist an investigation in to the origin of the zombie ‘disease’, which sees him traverse the globe in a search for the cure.

Now, “why see this film?” I hear you ask. “’I’ve seen zombie movies before and to be honest I don’t care for them, also, I’m out of adult diapers”. The answer is simple - the scale of this movie makes all other zombie flicks barely comparable. World War Z starts off faster than a virgin holding hands and (much unlike the virgin) keeps you absolutely enthralled and engaged for the duration of the film. The action scenes are so intense I was longing for a pause button so I could take a few moments to regain my composure before continuing with the incessant suspenseful violence. Brad Pitt is absolutely fantastic (man crushes aside) and carries the story along as the hero superbly. The directing (courtesy of Marc Forster of Quantum of Solace fame) is concentrated, yet broad enough in some of the more intense scenes to really keep you feeling like you’re about to have your jugular ripped out by an infected grandma.  Special mention should also be made about the soundtrack - composed and performed by Matt Bellamy and Muse – which provides a fantastically haunting aural background to many scenes in the movie.

Overall World War Z is a somewhat predictable, yet extremely engaging take on a genre most of us are pretty familiar with. Yes it uses many of the typical clichés we’ve seen before, like “ok we’re just going to sneak past these zombies”, dude clumsily clangs into the loudest item into the room, zombies chase and so on; but you’re able to overlook that because it’s just so damn badass. I’ll admit it won’t be everyone’s cup of tea with many scenes providing more confronting footage than a World Vision advertisement, but if you’re looking for something that will get the heart pumping a little (or a lot) then this is for you. I highly recommend taking along someone who you’re happy to give an “it’s gonna be ok” hug to, even if that means indulging in a little bro-mance. As far as zombie apocalypse flicks go you’ll find it hard to find a better option, check it out soon before the real apocalypse is upon us!

Score: 4/5

Zero Dark Thirty

Synopsis: Bin waiting on this one for a while...

Review: Like the ubiquitous chick flick, US war movies have been released on an almost weekly basis, so much so that the thought of stomaching another piece of trumped up Hollywood propaganda makes you wish they flew the planes into Los Angles instead of the other Sep 11 targets. That said Zero Dark Thirty is a much more unique take on the War on Terrorism which has dominated contemporary popular media in the last few years. Now, we all know how the story ends so there’s not really a whole lot to say about the plot. It’s the same old boy meets girl, fall in love, fly planes into geographically significant landmarks and then in turn be pursued around the globe for the better part of ten plus years. The story centres primarily on protagonist Maya (Jessica Chastain) a new CIA interrogator operating in various CIA ‘black zones’ in the Middle East. Recruited out of high school she’s forced to learn some of the less humane CIA interview techniques in order to garnish information as to the whereabouts of Bin Laden and his inner circle.

Although you would never class this as a documentary it is based on real, historically significant events in the last ten years and provides an interesting insight into the way in which the war has been conducted. The engaging thing about this story is that it quite openly chronicles the grim, gory and sometimes confronting elements of the war against terrorism and the lengths that the ‘good guys’ have gone to in the search for Bin Laden. Furthermore it really does give you an impression of the ineptitude of government departments at times (even at an elite level) and the element of luck that seems to have been involved in Bin Laden’s eventual assassination.

For those that are looking for the good old shoot-em-up this film will not be for you. Bought to us by the director (Kathryn Bigelow) and writer (Mark Boal) of the Academy Award winning Hurt Locker the film’s momentum relies heavily on the compelling performances of the various actors as opposed to the typical Die Hard formula of stunts, crashing cars/planes/boats and enough explosives to clear out the bowel contents of even the most severely constipated. Like Hurt Locker there’s this strong level of suspense that builds throughout the film, which results in a palpable level of anxiety for the viewer, but eventually subsides once the final attack on Bin Laden’s compound in Islamabad. One thing I particularly appreciated was the way the final attack is shot. There is no fanfare that we usually see in some flicks, just a raw cinematic chronicling of the way in which the mission to assassinate him was carried out. Overall Zero Dark Thirty is an engaging, suspenseful well produced insight into the war on terrorism, however this isn’t one to take the partner to on date night unless you’re willing to repay the favour tenfold in chick flicks.

Rating: 3/5

The Hobbit: An Unexpected Journey

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Synopsis: YOU, SHALL, NOT, not enjoy this movie!

Review: Well it’s back! Another production from Peter Jackson in the ever popular (amongst nerds and normal people alike – that’s my story and I’m sticking to it) Lord of the Rings series. An Unexpected Journey is the first part of three films reproducing JRR Tolkien’s classic 1937 novel ‘The Hobbit’ which precedes the original three books and explains the origin of the sinister Ring of Power. Bilbo Baggins, played by Martin Freeman (Hitchhikers Guide to the Galaxy, The Office (UK), Love Actually) is drafted into a band of intrepid travelers – including Gandalf and 13 Dwarves - traveling east to the Lonely Mountain to reclaim their stronghold, and many treasures from the evil dragon Smaug. Now for those reading, yes, it is a Peter Jackson LOTR flick; yes, it is a tad on the nerdy side; but no, you do not have to understand Elvish or subscribe to Wizard Wand Weekly to really enjoy it. Martin Freeman brings a wonderful warmth and quirkiness to the film as Bilbo and is fantastic to watch as he’s washed along in his ‘Unexpected Journey’. The 13 dwarves are a bit like the Colonel’s 11 herbs and spices, all bringing something unique to an overall enjoyable product (but still one you’re a bit ashamed to tell people about). 

 For those wondering (as I did before watching) how Jackson was planning to drag out the shortest of Tolkien’s books into three films, the answer is quite simple - there is a lot of focus on the other characters in the books and the general history (if you will) of Middle Earth. The film is littered with side stories and flashbacks chronicling the many characters that make the story so rich and fulfilling. Replete with epic battles, mystic trivia, epic adventure and that inimitable brand of humor; the story sings along, harmoniously tying together a myriad of intertwining sideshows. There was only one point where I felt as though the dialogue dragged on longer than an episode of Home and Away without really adding anything, but unlike Home and Away (which adds nothing to anything), in this case it is excusable. The thing that most excites me about the continuation of this franchise is that one day, once all the movies with extended footage are released on DVD (or Blu-Ray, or imprinted on our collective sub-conscious’) you’ll be able to sit down for a LOTR marathon that lasts more than 24 hours! In general I think this film is pretty spot on, although there’s nothing groundbreaking here. That said, watching The Hobbit bought back the excitement I felt as a little kid when I originally read the book back in 1995 and, like a hobbit and his meals, I can’t wait for the next two.

 Rating: 3/5

Prometheus

Synopsis: Aliens Prequel. Any more questions?

Review: Occasionally a new sci-fi flick comes along that re-defines the genre by adding some new intricate element of film making that leaves you with mouth agape and mind blown. Before the mobs start to form, I’m not claiming that Prometheus is in this category, but it comes damn close. Brought to us by acclaimed director Ridley Scott (Black Hawk Down, Gladiator, American Gangster) the plot of Prometheus follows a group of contracted interstellar travellers who are investigating an ancient anthropological invitation to another star system, to find what may be the true genesis of the human race (and no they don’t come across a white-robed bearded omnipotent creator sitting on a cloud sipping on cocktails made from the tears of Catholic Church parish boys… but I digress). When they arrive at their destination the crew of the ship (appropriately named “Prometheus” after the Greek mythological god credited with the sculpture of man from clay) find out their creators aren’t all that they envisaged and had more sinister intent for the fate of the human race. 

Fans of the Aliens franchise will see subtle references to the same extra-terrestrial themes from those amazing films of the 70s, 80s and 90s, however in order not to spoil the plot I’ll refrain from saying much more on this. Needless to say if you were a fan of those movies (and what pre-pubescent 90s nerd wasn't) you'll thoroughly enjoy the Aliens throwbacks brought to graphic life in Prometheus. The cast, although not star studded (biggest names include Charlize Theron, Michael Fassbender and Noomi Rapace) are absolutely fantastic and their individual performances are compelling, helping the viewer immerse themselves in the story. The cinematography is dazzling and will leave you wishing you had more sets of eyes as you struggle to take in the detail, brilliance and immensity of each individual frame. 

For all of the above though I urge you to heed to the movie’s classification and comments which include “strong alien violence” and “medical procedures”. There’s some pretty graphic stuff in this flick that would turn the stomach of some of the most avid slasher fans so if you’ve got a tendency to share your breakfast (post digest) with others you may want to steer clear. If I had one criticism it would be that Prometheus requires a high level of attention from the moment you pop the wrapper on your choc top. I definitely wouldn’t recommend seeing it with someone whose attention span barely rivals an ADHD diagnosed five year old, as you’ll spend more time explaining things than Peter Slipper during question time. Overall a breathtaking film executed with the panache and precision we’ve come to expect from Ridley Scott; just remember to avoid the seafood milkshakes at the candy bar.

Score: 4/5

The Dictator

Synopsis: Leave your morals, bring your sense of humour. Sacha Baron is back!

Review: The Dictator is another instalment from the well known playbook of the ever popular satirical piss-taker Sacha Baron Cohen (Ali-G, Borat, Bruno). For those living under a rock his exploits typically involve the creation of a stereotyped alter-ego followed by the incessant pursuit of offending as many people as possible. The Dictator is no different here as Cohen plays the egotistical, tyrannical Admiral General (yes that’s his self appointed title) Aladeen, autocratic leader of the oil-rich African nation of “Wadiya”. From the start of the film (which opens with a dedication to the late Kim Jong Il) the similarities drawn to some of the worlds most infamous heads of state, although sardonic, are accurate and belligerently funny. The plot follows Aladeen as he travels to the UN to address the Security Council in an effort to defend his right to despotic rule and refusal to allow his country to democratically elect their leader. Aladeen is undermined and ousted by his right hand man and ends up working for the left wing, vegetarian, body hair cultivating Zoey (Anna Faris). Needless to say the one-liners come thick and fast, primarily at the expense of the conservative Islamic outlook on the world, although Cohen subtly (who are we kidding, most of it is overt) digs at the post 911/GFC muddied ethical waters of Western Democratic Capitalism. After his previous miscarriage-of-a-film “Bruno” my hopes for this one weren’t high, which left me pleasantly surprised at how much I enjoyed The Dictator. Yeah, the jokes are at someone’s (arguably everyone’s) expense, and are far too on point in some places to be acceptable, but this didn’t stop me (nor should it you) from bringing along my obnoxious cinema laugh and chuckling up a storm. I definitely wouldn’t recommend it for anyone who offends easily, or turns their nose up at toilet humour, but if you want a good laugh and are well versed on your international politics and economics you’ll certainly find this one enjoyable. Cohen’s credibility is certainly restored with this addition to his filmography and I can’t wait to see what he turns his sights on next.

Score: 3/5 

The Avengers

Synopsis: When it comes to Super-heroes, too many cooks do not spoil the broth.

Review: This action packed cinematic blockbuster is another instalment in in the comic book series of films delivered by Marvel Studios (including the obligatory Stan Lee cameo) and my is it enjoyable. The Avengers ties together a series of other Marvel film franchises centred primarily around the recently released and immensely popular 'Iron Man'. The plot for this flick is no 'Inception', but it's excusable given the sheer immensity of every other element. The Avengers (made up of Iron Man, Hulk, Captain America, Thor, Black Widow and Hawkeye) are called together by Nick Fury, the head of SHIELD to battle Loki (Thor's estranged adopted younger brother for those not versed in their intergalactic Marvel bad guys). The first part of the film brings you up to scratch on the back-story for each of the characters - mostly for the viewers that have spent the last five years in some sort of Josef Fritzl Austrian dungeon. This is followed quickly with an Avengers 'get to know each other' session (Jerry Springer style) and eventually culminates in a monstrous Avengers vs. Loki and his inter-dimensional army battle. Now despite the simplicity of the plot and back-story the film rides seamlessly along on the performance and chemistry between each of the characters (played admirably by an all star cast as long as Ron Jeremy's **cough** little Iron Man **cough**), in addition to the perpetually mind-blowing battle scenes. It would be remiss of me to not mention specifically the performance by Mark Ruffalo, who slides easily into the role of Bruce Banner. I was a particular fan of Edward Norton's previous resurrection of the Hulk franchise (after it was miserably destroyed by Eric Bana) and if Ed couldn't make it for this flick then Ruffalo is surely the next best option. Banner's alter-ego (often referred to as 'the other guy') is also immensely enjoyable to watch as he lays the smack down on friend and foe alike. The movie maintains a fairly light-hearted feel to it despite the apocalyptic trans-dimensional wormhole battle and for those comic book nerds (including yours truly) it's an absolute delight to see the courageous yet dysfunctional (as per the true Marvel hero mold) protagonists come together to defend the earth from what would surely be certain destruction. Despite director Joss Whedon's  (Buffy the Vampire Slayer, Toy Story) relative lack of experience in directing epic blockbusters such as this, the film ties together quite nicely and is an ocular delight. All in all another thoroughly enjoyable addition to the Marvel franchise that will leave you with urge to either be exposed to gamma radiation or a sudden penchant for mini arc-reactors. 

Score: 4/5

Real Steel

Synopsis: Hugh Jackman and boxing robots, that’s all you need to know.

Review: After the recent and rapid degradation of the Transformers franchise I’ve been hesitant to have faith in any flick that doesn’t centre around the organic, just as Michael Jackson now knows in an ethereal sense, not to trust his doctor (too soon?). First and foremost, this is a boxing film and NOT a Sci-fi flick. Now for those that aren’t familiar with this genre think Rocky, The Hurricane, Raging Bull, Million Dollar Baby or even the Karate Kid (old one, that new Will Smith kid is rubbish). What that means is the plot is generally pretty simple. Underdog wants to be a successful boxer, is subject to some oppressive force in their life, however with the help of a quirky, knowledgeable but jaded mentor is able to endure and overcome. In this case the narrative follows Charlie Kenton (Hugh Jackman, or ‘Wolverine’ as we call him at my local comic book store) who is a washed up boxer trying to make it in a world where the public’s thirst for carnage has seen boxing evolve into orgy of servo charged destruction. Charlie is forced to take his estranged pre-teen son Max (Dakota Goyo) on the circuit with him and they very quickly form a bond that sees them become successful in their boxing endeavours. Now I’m a Jackman fan (man-crush set aside for this review), adamantium claws or otherwise and I’m happy to report he doesn’t disappoint. With guns bristly, chin jutting and that perfect balance of five o’clock shadow and resonant alcoholism his character is the quintessential likeable f**k-up. Couple this with a great supporting cast, excellent direction (provided by Shawn Levy) and amazingly animated scenes of robots literally beating each other to pieces, it becomes obvious that you’re in for a good time.  All in all Real Steel is an innovative permutation of the boxing genre executed with pants wetting awesomeness, that will leave you with an ear to ear grin and the compulsion to figure out how you can alter your vacuum cleaner into a sparring partner.

Rating: 4/5

Crazy. Stupid. Love.

Synopsis: It’s crazy stupid how much I ‘little l’ loved this romantic comedy.

Review: Now strictly speaking this film would be classed as a ‘Rom-Com’, which means that it should simply be slapped with nothing more than a deuce and relegated to the dusty pile of film reels never again to feel the warmth of projector. That said, this film bucks the typical romantic comedy predictability (and ultimately dullness) that we’re forced to endure every time a chiselled chin Hollywood heart-throb crashes his Vespa into the busty but accessible starlet. The film opens with Cal and Emily Weaver (played by the quirky Steve Carrell and proper Julianne Moore), a couple who’s relationship appears to be doomed to follow the hordes of others ending in statistically probable divorce.  During the lowest lows of their separation Cal meets Jacob Palmer (Ryan Gosling), whose ridiculous ability to pick up women is surpassed only by the ludicrous hairlessness of his torso. The pair forms an unlikely bond and Jacob teaches Cal how to find his mojo again, eventually realising the reason why his wife wants to leave him. Ironically, Cal becomes the teacher out of the two as Jacob meets the pert, pretty and predictable Hannah (Emma Stone) falling head-over-heels in love with her.  As I’ve already said, this is TECHNICALLY a romantic comedy however the quirkiness bought to it by the quality cast and excellent directors Glenn Ficarra and John Requa (Bad Santa, I Love You Phillip Morris) make it the kind of flick that most males can confidently be seen at without having to worry about any ill effects in the testicle region (not withstanding any pre-existing conditions). An exquisite combination of laughs, lunacy, love and even a lesson in relationships, this will certainly be a hit with guys and girls of all ages.

Rating: 3/5

The Guard

Synopsis: Excellently executed entertainment from Eire.

Review: If you blinked quickly at your movie guide you may have missed this one as it was only on at ‘the pictures’ for a few short weeks (unlike Harry Potter, which seems to be persisting worse than most venereal complications, probably more painful too). This film takes place in the picturesque Irish city of Galway and follows the antics of Sergeant Gerry Boyle (whose other features include 'In Bruges' and 'Harry Potter' so yes, the reference was tangibly relevant) as he investigates an international drug smuggling plot playing out in his quintessential Guinness drinking, potato farming, leprechaun-chasing town. Sergeant Boyle, as head of the local constabulary is teamed with FBI agent Wendell Everett, and naturally the cultural differences, coupled with Sergeant Boyle’s erratic and eccentric policing style (which include a fervour for full-bodied ladies of the night); result in some pretty humorous interactions during the investigation. Now I’m a fan of just about anything produced in the UK and this flick does not fall short of the standard set by many other Monarchy centred classics (The Full Monty, This is England, The Office, Mighty Boosh, Peep Show and Gavin & Stacey to name a few). With raw, laugh out loud comedy centred on proper character development and pure, quality cinematography this was an absolute delight to watch. My comedic satisfaction hit the dizzying heights of ‘piss-yourself-laughing’ (adult nappies essential) and never delved to anything less than a wry, satisfied smile. Now I haven’t expanded on the plot too much but really, there is no need as this flick is what the entertainment industry is all about; beautiful scenery, raucously entertaining characters, quality dialogue and a perfectly executed, albeit simple story. If you’re sick of spending $16 to watch some retarded vampire lusting after the forbidden, but frustratingly available teen lass (or some poorly executed permutation of this so called ‘storyline’) and are after some truly gratifying viewing, then you can’t go wrong with 'The Guard'. Generally I don’t consider a lot of films to be art, but this piece of pristinely executed St Patrick’s delight will leave you satisfied, smiling and most importantly, with a sense that your life is that little bit richer for viewing.

Score: 4/5 

Johnny English Reborn

Synopsis: Bean, Blackadder and now this pile of capital ‘B’ Bullcrap.

Review: After not paying much attention when this franchise came about (yes there was a movie before this one) I don’t know what I was thinking in committing my hard-earned to such an eye-gougingly dull motion picture experience. But alas the pickings at my local theatre were as slim as Women’s Day magazine makes you think you can be, so I was forced to select this cinematic experience with as much joy and vigour as said magazine readers have when they have to choose whether to cut out the cake or chocolate. The term ‘reborn’ in the title holds as much validity in the protagonists’ renewed credibility as Christian baptism does for the repentant (read: absolutely none). The movie is a spoof of the spy genre  which relies so heavily on poorly 'Benny Hill Show' style gags and Rowan Atkinson’s ability to hilarious pronunciation  that you find yourself getting apprehensive about the next word which contains a ‘P’. Agent English is re-enlisted by MI-7 after being previously banished from the organisation for ballsing up a protection mission in Mozambique. English finds himself working in a new politically correct spy establishment that frowns upon the womanising, drinking and general belligerent violence expected of an old-school double-O style assasin. The plot is as poorly formed as a bowel cancer sufferers stool sample and the support actors, all British, don’t really rate a mention. If you’re an Atkinson fan don’t waste your time as you’ll no doubt reduce your opinion of him as an actor, let alone a human being. As a normally boisterous cinema laugher this comedic drivel instigated barely four audible laughs from me in its 101 minute meander towards the bottom of the jester's gag barrel. An inexplicable epitome of lowest common denominator, paltry, slapstick humour, you’ll get more of a laugh watching the latest edition of SBS news. 

Rating: 1/5

Horrible Bosses

Synopsis: One of the few films capable of making murder light hearted.

Review: Once in a while we all come across that supervisor whose management style is equivalent to being repeatedly poked in the eye of your penis (or female equivalent) with a white-hot crowbar. Unfortunately, as is generally the case, the shackles of contemporary behaviour require that we swallow the faeces sandwich, smile and ask for another bite. Horrible bosses follows the three protagonists Dale (Charlie Day), Kurt (Jason Sudeikis) and Nick (Jason Bateman), three high school friends, all at points in their lives where their enthusiasm for their bosses is synonymous with a heroine addicts affinity for getting clean. After realising they’re all in situations where simply quitting would leave them in a situation where sexual compromise would be essential to pay the bills they come up with the genius plan to kill each of their bosses. Cue hilarity based solely around the middle class white perception of the simplicity of murder, where methods are based primarily around the ‘how people screwed up on Law and Order’ and the advice of their murder consultant ‘Muthafucka Jones’ (Jamie Foxx). The dynamic between the three characters is fantastic and one can truly see how, if pushed to the edge, with the appropriate motivation, you could conceivably find yourself bumbling through a half-baked plan to rid yourself of someone who’s presence in your life can be likened to that of a haemorrhoid you accidently rubbed with deep heat. All of the characters in this film are a joy to watch and will make you smile with that knowing “I’ve been there” look on your face. The three lesser known actors performances are supplemented nicely with Hollywood A-Listers Kevin Spacey (the megalomaniac investment banking boss), Jennifer Anniston (a sex crazed Dentist) and Colin Farrell (a coked up company heir), all of whose personalities diverge from their typical on-screen stereotypes. I would have like to have rated this more highly but alas, it falls into the same genre that we see being produced at an American Opussum’s gestation period rate (12-13 days for those non-Attenborough aficionados out there). For lovers of movies like Old School and The Hangover, this is right up your ally and I guarantee you’ll be on the edge of your seat laughing. For everyone else, find a sense of humour and indulge in what will likely be (for those in the rat race) the best 97 minutes of your weekend.

Rating: 3/5

Battle: Los Angeles

Synopsis: Another Earth apocalypse film to fill the time between... well.. the next Earth apocalypse film.

Review: After a bit of a hiatus from review films I'm back on the horse with my reviews and what a way to start the year. I wish I could say that Battle: Los Angeles is the penultimate alien invasion movie, but alas, I cannot. This movie barely passes for a time killer and I can think of a few better ways to spend 116 minutes (including watching that "I'm beached bro" video on YouTube sixty times over). Set in modern day USA the story covers the movements of a US Marine Corps troop who are sent into the extra-terrestraial besieged Los Angeles as part of earths defence against a H2O hungry alien force. The main protagonist is Staff Sergeant Michael Nantz who is played by Aaron Eckhart, who I normally like but in this case am questioning whether he, and his agent have recently had a stroke prior to script selection. Staff Sergeant Nantz leads his marine troop, under his young, officer grad lieutenant into battle against the invading aliens. The poor use of last minute 'shock' jolts, predictable aircraft shoot-downs and terribly cheesy dialogue don't do this flick any favours, and unfortunately for Aaron, no amount of bum-chinnedness was going to save this film from plummeting to the bottom of the sci-fi movie rating list, barely above Battlefield Earth. On the upside the CGI wasn't bad although that barely seems to be an excuse these days when you compare it to blockbusters like Avatar and District 9.

Score: 2/5

Scott Pilgrim vs. The World

Synopsis: What life would be like if video games and comic books were real

Review: This piece of cinematic intricacy is bought to us by Edgar Wright, the director responsible for the black comedies of Hot Fuzz and Shaun of the Dead. His style rings through in almost every intense scene in this film, with in your face screenplay and that intense cacophony of action and sound. The story revolves around Scott Pilgrim, a Canadian born, dump living, grunge rocking nobody who falls in love with the girl of his dreams and is forced to do battle with her seven evil ex-boyfriends. Along the way he learns something about himself and those around him. Throw all your expectations to the wind with this film as you will not have seen anything like it in a very long time. It’s a strange combination of kung fu, Mario, comic books, grunge music and teenage angst. Kudos to the Director for bringing this graphic novel to life in an incredibly enjoyable piece of film. You’ll leave the cinema with your mind blown, socks rocked and wondering where you can get your hands on that old Nintendo you used to play as a kid.

Rating: 4/5

Mao's Last Dancer

Synopsis: The Karate Kid for Ballet Fanatics

Review: What's that I hear you say? Liam saw a ballet film? You know what? I did, and it was damn awesome. This film is based on the book by the same name and beauifully portrays the story of Li Cunxin, a young Chinese boy selected by the Communist Chinese regime to take part in the nation's ballet program. Li is mentored by my favourite character in the movie 'Teacher Chan' who teaches him the value of hard work and never giving up. Li is eventually selected to do a placement in the American Ballet Institute where he excels in dancing but struggles with the acute consumerism of Western culture and the elicit lure of American women. The story is told through Li's current experience in the American Ballet Institute and a series of flashbacks to his childhood and the hardships endured as part of his selection and training under the Chinese Communist Ballet Regime. This film is lovely to watch, it has mad-wicked dancing, funny Coummnism-isms and a generally meaningful message of overcoming adversity about it. Although there are no big-name actors the characters do generally shine, and draw you into the story. My one criticism of this flick would be that the main character is ridiculously ripped and makes all other men look bad (except for Browny). If you have body issues, best go with a supportive friend/man-date to hold you when the tears are just too much. I implore you to put down all pre-conceived notions about this supposedly 'art-house' flick and go and see it with an open mind. You will not be disappointed.

Score: 4/5

Beautiful Kate

Synopsis: Incest in the outback - didn't see that coming.

Review: This film is a testament to the solidarity and honesty of the Australian Film Industry and it's ability to paint an amazing yet disturbing picture of part of our culture. I hadn't seen any previews for Beautiful Kate nor read the book so I didn't know what to expect, which made it all the more a, uhhh, what's the word? Experience. Ben Mendelson plays Ned who returns home to his old outback property to herd his ignorantly brutal father into the next life with his sister Sally (Rachel Griffiths). The plot builds through a series of flashbacks showing how the loving relationship between Ned and the now deceased Kate (Sophie Love) degenerates into something more than sibling affection. The characters are all honest, engaging and believable, with each baring their soul as the story meanders on. My one criticism of this film is that it is hard to watch at times as the honesty of the characters and the situations they are placed in are uniquely awkward. This is also ironically the characteristic of this film which also makes it so interesting. You will leave with a sour taste in your mouth but it will be like no other sour you've ever tasted before.

Score: 3/5

Harry Potter and the Half-Blood Prince

Synopsis: Degrassi Junior High Meets Hogwarts

This film opens with Harry attempting to pick up a young British girl at a Tube Station Cafe which sets the theme for the rest of the film, a tumultuous, at times dull account of pubescant frustration in a school where it appears impressing girls on the Quidditch field is more important than saving the world from "You Know Who". This was by far the most disappointing of all of the Potter films with the actors not displaying much more talent than they did in "The Philosophers Stone", at least acting wise. The film is slow at the best of times, and despite covering what seems like a myriad of flashbacks and tangential plot-lines it still leaves you feeling empty. There is also none of the cool magical action scenes we have come to expect from Potter films with not even one Petronus Charm conjured by Potter or any of his magically inept offsiders. The ups are that Ron finally employs that Ranga Arctic Monkeys look he's got going on to pick up an unbalanced pubescent Witch, while Hermione, despite all of her other redeeming qualities (which I can now say given her recent Birthday) pines after him with the angst and emotion of a woman who just didn't get that hug from Daddy. I have no qualms about describing this film as all the wank (and a long one at that) without the reward.

Score: 2/5

District 9

Synopsis: District 9? More like District Awesome.

Review: You know that scene in 'The Mask'? The one where Jim Carey sees Cameron Diaz for the first time, his eyes pop out of his head, and his tongue rolls onto the table like a carpet rolling out? Watching this film is the equivalent of that. If Peter Jackson was worried about being pigeon-holed after Lord of the Rings (as the director of one of the largest grossing franchises I dare say this concern is low on his list) he needn't be. Set in modern day Johannesburg this film starts off as a documentary style account of how the Saffas would deal with a refugee alien race, landed on earth due to an unforseen affliction of their leaders. The story continues with protagonist Vikus Van De Merve as field leader of the MNU (a UN style security force, contracting the heavy lifting to ex-South African Special Forces personnel) as they 'deal' with the outcasts and their lack of integration. There are undertones of criticism in the modern nationalist approach to 'aliens' however you soon forget any political ideology bashing when the action ramps up. The bad guys are bad (and there are plenty of them), the weapons are cool (mind blowingly so - literally), the characters are engaging and the South African accents, coupled with the unique directing really make you feel like this actually happening. This film has everything you want in a Sci-fi flick (although pasting it with this genre does not do it justice), an original plotline, incredible directing, a novel way of constructing and continuing the story, fantastic characters (both real and animated) and out-of-this world CGI. Please. I beg of you. Watch this movie. belt everyone you know over the head until their eyes are also ejected from their skull. It will not disappoint. 

Score: 5/5

Inglorious Basterds

Synopsis: Holocaust adaptions are rarely this enjoyable.

Review: After wondering through the lonely desert of Hollywood disappointment I have finally managed to stumble upon an oasis of silver screen genius. Tarantino has once again proved why movie direction and production is not just a job, but an art form, of which he executes superbly. This is not a historical representation of Nazi ruled France but instead a dark, quirky take about a band of American misfits ('The Basterds') operating behind German lines as a Guerilla outfit, terrorising Nazi Squads they come across. The other story thread involves a young, blonde, bitter, tainted, vengeful (too many adjectives?), French Cinema owner/operator, Shoshanna, whose family was murdered at the hands of 'The Jew Hunter', an SS Colonel, whilst she was young. The plot is held seamlessly together by some superbly directed scenes of multilingual dialogue between key characters, all of whom are compelling whether beautifully helpless, likeably evil or just plain hilarious. Expect the usual amount of in your face gore, bizarre manga styled flashbacks and unorthodox, yet appropriate soundtrack. Tarantino fans will not be disappointed with this facist helping of cinematic enjoyment, and Tarantino virgins should prepare for 'the big day' by throwing all expectations to the wind, and just going with it.

Score: 4/5

Notorious

Synopsis: R.I.P. Biggy (and the careers of the people that made this film)

Review: Tasked with selecting an activity to gainfully employ my Friday night this film immediately checked most of the criteria one looks for on the DVD shelf. Rap music - check, black people - check, guns - check, historically informative - check. It looks like I may have to tighten up my checklist. A recount of the sordid tail of the life of Christopher Wallace aka Notorious B.I.G. Smalls, this movie does not do this 380 pound African American rapper justice. Biggy was simultaneously known for his artistic genius as well as the darker parts of his personality. He could spit fresh rhymes, or spit on his latest 'ho', cut up a record, or cut up one of his East Coast nemeses, pump out a thick beat or... well, you get the picture. At times the movie tries to humanise a dark and tormented character through his interaction with music, however it's done with all the finesse of a one handed five year playing Beethoven's fifth symphony. The worst part is if you know anything about the East Coast, West Coast rap wars (Biggy vs. 2Pac) you will already be able to guess the ending. This film reinforces my previous adage that 'Just because you're a rapper (dead or alive), you are not entitled to a biography film'.

Score: 1/5

Bruno

Snapshot: The next Sacha Baron Cohen character better be better than this one...

Synopsis: Unfortunately there isn't much to tell with this film, being one of the most disappointing movie experiences of my life. The film sums up Sacha Baron Cohen's queer Austrian fashionista as he trapses around the United States in search of fame. If you're like me and are a Borat and Ali-G fan you will be even more disappointed than the usual hand-bag toting Bratz crowd that have jumped on the band-wagon, and are the only people you will hear openly enjoying this fim in the cinema. I was surprised to read that this movie grossed more than Borat and Ali-G on it's opening, but Cohen has been on the international circuit pumping this film hard (no pun intended). Although it does scratch the surface of an ultra-conservative, pseudo-facist USA it is done in such a cringe-worthty manner it's not worth the watch. This is a first 0/5 for me and hopefully the last. Definitely not suitable for those not comfortable with alternative sexuality, nudity, extremist christian religion views and full frontal nudity. A true disaster.

Score: 0/5

Transformers: Rise of the Fallen

Synopsis: Just when you thought Transformers couldn't get any more Epic, with a capital E.

Review: I was skeptical about seeing this film as I had already heard mixed reviews and after having the Transformers bar already set fairly high by the first films I braced myself for disappointment. Let me just say that for the first half an hour of this film I could not wipe the smile off my face. The technological carnage ensues from the outset with a number of new Transformer characters (in the form of vehicles that would arouse Top Gear viewers) introduced in the first scene with Michael Bay's "action directing" taken to a new level. If you're looking for a complex plot, well developed characters and a twist at the end, go watch a Tarantino film. If you're a man, with hair on your chest, who likes things being blown up, cool cars, a ludicrous amount of military equipment and destruction by bio-tech lifeforms the likes of which you've never seen, this is the film for you. My one criticism would be that the film goes a little long (160 minutes, schedule in toilet breaks), and Megan Fox needs running lessons.

Score: 4/5